Kimberly Ann Priest’s still life (PANK, 2020) is a collection of 21 poems whose titles each begin with “my pedophile,” followed by various characterizing details of the subject, such as “my pedophile is obsessed with details” and “my pedophile experiences superficial pleasure.” The juxtaposition of these two words highlights the theme of violent ownership explored throughout this text—the ownership the abuser enacts on the speaker, and the ways in which the speaker’s childhood trauma continues to affect her adult life.

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Grateful to Donna

Vorreyer for writing

this insightful review

of my book!

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